Compositional Tips w/ Spitfire Audio’s ‘Chamber Strings’ – Part 2
Welcome back to another series of compositional tips and tricks using instruments by Spitfire Audio, this time ‘Chamber Strings’. We’ve previously looked at the Orchestral Swarm instrument pack, notably used by Hanz Zimmer for the Blue Planet 2 score, as well as the Chamber Evolutions pack, created with famed Icelandic composer Ólafur Arnalds. Now, our resident compositional wizard Kevin Kerrigan turns his attention to ‘Chamber Strings’. The focus this time is more immediately concerned with teaching ways of composing with tools such as this, as opposed to a tour of a new instrument. Music composition forms an integral part of our music production courses, including our flagship BA (Hons) in Music Production and Sound Engineering, quality assured by Middlesex University.
In the second part of the series, Kevin turns his attention to adding inversions to a chord sequence. To demonstrate this he invites us to observe a mystery score he’s been working on, built with a large reliance on minor chords. As he’s stressed before, playing these chords in their root forms sounds slightly stunted, so open voicings, adding different mics and adding inverted harmonies are all drawn upon to widen the scope of what’s made here.
As well as the aforementioned degree course in music production and sound engineering, we have also developed a new BA in Music Production and DJ Practice, again quality-assured by Middlesex University, which launches its first term next September. If you’d like to examine some shorter courses in London you can find the full list here. Or, if you’re not based in the UK, why not check out our production courses in Los Angeles or online. Get in touch if you have any more questions.
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